It seems that corporations are starting to realize that those headshots that they took with their I-Phones really do look crummy and not professional. In the last year I have had numerous requests for professionally taken headshots. Now I am a fan of environmental portraiture but for these types of portraits, most companies are going for the traditional image with lighting and a backdrop. They are all wanting them for their social media pages in whatever flavors they are participating in.
Now understand I am a one man shop and my shop is my quite small house. It really isn’t conducive to having clients over for portraits. So as always, I need to bring the studio to them and that studio needs to be portable. Sometimes I have the luxury of being able to drive to the location but often times I have to take public transportations such as a train followed by a cab ride. Everything is literally either being pulled or carried on my back!
With that in mind, planning was needed to come up with a small enough kit to carry but yet big enough to give professional results. First off, what couldn’t I bring. Cloth backdrop with stands was not an option and the studio lights were a big no, no! Big light stands? Nope. After some research I ended up getting one of those pop-up backdrops from Savage along with their lightweight stand. I knew I had to keep my lighting to a minimum so what I am showing you here is basically a two light set-up with reflectors picking up the heavy lifting of opening up the shadows.
Since I didn’t want to be bothered with a backdrop light I either use an umbrella or a Photek soft-lighter as my main light so that I get some spill on the backdrop. When I have the room and time I will also add a rim/hair light. My lights are currenty Cactus RF60 flashes being fired off from a Cactus V6 transceiver. When I use the Photek, I put two RF60 flashes inside of it. When I use an umbrella I only use one RF60. The hair light RF60 gets gelled with a grid added to it.
With this set-up I find I can get a decent portrait no matter which direction the subject may turn. The reflectors really kill any harsh shadows and help minimize what I might have to retouch later. It is a very face friendly set-up that accommodates all shapes and sizes of faces. It also lights all but the most deep set eyes and normally kills eyeglass reflection issues.
So that is basically it! I tweak the set-up per job requirement. In fact the other day I had to shoot over 100 portraits in less than an hour and a half at a hotel. The space allotted for me was the hallway by the ballrooms. I needed to leave room for traffic to be able to move by which required me to hug one of the walls. I only had room to use one light and I had to shoot that through an umbrella. I had just enough room to set up the reflectors but no room for the hair light. I was able to pull it off but I still wish I could have used the rim/hair light. Such is life as a freelancer!