I cheated on my family vacation. Yes I confess I tried a different film other than my beloved Portra films. If that wasn’t bad enough I cheated within the same family, the Kodak family that is. The allure of the vibrant colors that one was supposed to get from Ektar made me stray from my more plain and quiet film Portra. Don’t get me wrong, I still love Portra and always will but it was time to try something new.
All kidding aside I do love the portra films. I almost always get the results I want shooting that film. In this digital world of over saturated color, I have found the Portra films to be more realistic in what I see color wise. If I want a bit more color out them I just bump the saturation a bit on the post processing side, but not by much. The exposure latitude of these films are amazing. I tend to over expose them a bit and usually meter for the shadow or shaded areas. For Portra 160 I rate it at 120 and for Portra 400 I rate it at 320. Some photographers take it farther than that but I am not looking for pastel colors I am just looking to open up the shadows a bit. Portra is known for just that, portrait photography, but I have been using it for landscapes as well and love the results. It makes my photos feel like the old Master’s paintings of the american landscape.
Enter Kodak Ektar 100. I only shot one roll on vacation and the rest of the time stayed with my tried and true Portra. I rated the 100 speed film at 80 and then metered the same way I meter for Portra. Above you see some of the results. All and all I really like the film. It certainly does have a different feel to it. It reminds me more of slide film and has a bit less exposure latitude than the Portra films. With that said though, I metered incorrectly for the deep woods shots and over exposed them quite a bit. I was able to pull them back in with my post processing and still get a nice photo. Impressive. What I was most amazed with was the sharpness in detail. Wow! Big prints would not be a problem with this film at all. It gives digital a serious run for it’s money with the amount of detail recorded.
I’ve read people having trouble scanning the film and getting good colors from it. All of my film goes to Indie Film Lab and they did an outstanding job of the processing and scanning. One thing I did notice, which was no fault of the lab, was that the blues have a heavy cyan look to them. Your really see it in your skies. It looks a bit fake. More internet research revealed that a lot of photographers feel the film needs to be used with warming filters to help get the correct color. That information was too late for this roll so I added a 81a filter tone to them in photoshop. Sure enough it helped pull the cyan back into reality. My 81a filter is now packed with my other filters in my camera backpack.
So will I cheat on my Portra film again? Let’s just say the nectar of Ektar will become very attractive around the fall season. Happy wanderings!